With Vahideh Eisaei, Khalid Warsame, Hana Assafiri, Sofija Stefanovic, Alice Pung, Sam Pang and George Megalogenis.

Speaking from inside the immigrant experience, catching times and spaces of immigration before they're squeezed, solidified into an assortment of familiar, 'tamed' narratives... A six-part audio work.

Sarah's fourth book Draw Your Weapons is really really worth reading. We are at The Wheeler Centre talking about (perma)war, resistance, looking and not looking, the 'civil contract of photography', limits of empathy.

The past shapes the present – they teach us that in schools and universities. (Shapes? Infiltrates, more like; imbues, infuses.) This past cannot be visited like an ageing aunt. It doesn’t live in little zoo enclosures. 

From a special 'Writing and Trauma' issue of Text Journal edited by Bridget Haylock and Suzanne Hermanoczki, October 2017.

I have a short piece on my family's experiences in Uzbekistan during WWII in this new collection.

Interview with Antony Funnell on our narrative fixation.

My extended review of Michael Green's and Andre Dao's (eds) They Cannot Take the Sky.

Brief review in Text Journal.

Thanks to Catriona Menzies-Pike for publishing this essay.

A new podcast series from The Poet's Voice. I spoke about Brodsky.

Extract from a public lecture given as part of the 2016 Wednesday Lecture Series Hosted by Raimond Gaita.

"What are essays for? They are for picking up ideas, feelings, forces in the air, still unnamed and amorphous, and giving them a foothold in language. "

'No Skin', my essay revisiting the idea of traumascapes a decade later, has been shortlisted in the Melbourne Prize for Literature.

I am finally running a course I’ve been aching to get off the ground for ages.

I was commissioned by the Melbourne Jewish Writers Festival to write an original dramatic monologue.

I've been wanting to write this piece for years.

Sarah Helm's If This Is a Woman is a masterpiece.

For Women of Letters I was asked to write a letter to my Rude Awakening.

Melbourne, how come you haven't noticed Sally Smart's Shadow Trees Installation!?